ANTHROPOCENE is a collaboration among award-winning photographer Edward Burtynsky & filmmakers Jennifer Baichwal and Nicholas de Pencier. <IMAGE ABOVE – Kevin Walsh/Earth Magazine.org> The images make it clear what humankind has been up to for decades. They’re a wakeup call to the destruction caused by our species’ dominance, thus far anyway.<COAL MINE #1, North Rhine, Westphalia, GERMANY, 2015, © Edward Burtynsky, Flowers Gallery, London/Nicholas Metivier Gallery, Toronto>. “I have always been concerned with showing how we affect the Earth in a big way. To this end, I seek out and photograph large-scale systems that leave lasting marks.” – from ‘Life in the Anthropocene’ by Edward Burtynsky.<Elephant Tusk Burn, Nairobi National Park, Kenya, film still, Anthropocene Films Inc. © 2018>. “How to convey, despite our brevity as a species, the magnitude of our impact? Anthropocene in a scientific and geological sense means that we are now everywhere, all the time, and even in the rocks—those dense, mysterious receptacles of the planet’s history.” – from ‘Our Embedded Signal’ by Jennifer Baichwal.<Dandora Landfill #3, Plastics Recycling, Nairobi, Kenya 2016. © Edward Burtynsky, courtesy Nicholas Metivier Gallery, Toronto>. “It’s hard not to marvel at the engineering ingenuity of the massive industrial sites we filmed, and equally hard to ignore the devastation they represent.” – from the essay ‘Evidence’ by Nicholas de Pencier.<Uralkali Potash Mine #2, Berezniki, RUSSIA, 2017, © Edward Burtynsky, courtesy of Flowers Gallery, London/ Nicholas Metivier Gallery, Toronto><Carrara Marble Quarries, Cava di Canalgrande #2, Carrara, Italy, 2016. Mural, © Edward Burtynsky, courtesy of the artist and Nicholas Metivier Gallery, Toronto >The Art Gallery of Ontario-produced catalogue, Anthropocene, may still be available at shopAGO for $29.95; along with the 224-page Anthropocene art book published by Steidl.
“Oil” celebrates the work of TORONTO photographer and Ryerson University alumnus, EDWARD BURTYNSKY. One of the world’s most respected and recognized contemporary photographers, Burtynsky’s images explore the effects of oil extraction, our dependence on the substance, and the reality of oil production. PHOTO – Oil Fields, Belridge, California, 2003, courtesy Nicholas Metivier Gallery