<Laura Muntz, ‘The Pink Dress’, 1897, oil on canvas, private collection, Toronto> The National Gallery’s Senior Curator, KATERINA ATANASSOVA, said: “To me, this period is the most important period in the history of Canadian art.”<ABOVE – Clarence Gagnon, ‘Old Houses’, Baie-Saint-Paul, 1912, oil on canvas, private collection, Toronto> Ms. Atanassaova said the Canadian style of Impressionism is different because of our northern climate. The light of Canada differs from the light one would find in a warm Mediterranean climate. Also, Canadian artists often had to work very quickly, because their fingers were in danger of freezing if they didn’t.<ABOVE – Helen McNicoll, ‘Sunny September’, 1913, oil on canvas, private collection, Toronto> For the record – more than a thousand attended on opening night. ‘Canadian Impressionism’ will be on display in Munich until November 19th. Then it moves on to Lausanne, Switzerland, and from there to Montpellier, France. In the fall of 2020 the tour will come to an end at home base in Ottawa – then we’ll get to see it.