The images make it clear what humankind has been up to for decades. They’re a wakeup call to the destruction caused by our species’ dominance, thus far anyway.<COAL MINE #1, North Rhine, Westphalia, GERMANY, 2015, © Edward Burtynsky, Flowers Gallery, London/Nicholas Metivier Gallery, TORONTO>
“I have always been concerned with showing how we affect the Earth in a big way. To this end, I seek out and photograph large-scale systems that leave lasting marks.” – from ‘Life in the Anthropocene’ by Edward Burtynsky<Elephant Tusk Burn, Nairobi National Park, Kenya, film still, Anthropocene Films Inc. © 2018>
“How to convey, despite our brevity as a species, the magnitude of our impact? Anthropocene in a scientific and geological sense means that we are now everywhere, all the time, and even in the rocks—those dense, mysterious receptacles of the planet’s history.” – from ‘Our Embedded Signal’ by Jennifer Baichwal.<Dandora Landfill #3, Plastics Recycling, Nairobi, Kenya 2016. © Edward Burtynsky, courtesy Nicholas Metivier Gallery, TORONTO>
“It’s hard not to marvel at the engineering ingenuity of the massive industrial sites we filmed, and equally hard to ignore the devastation they represent.” – from the essay ‘Evidence’ by Nicholas de Pencier.<Uralkali Potash Mine #2, Berezniki, RUSSIA, 2017, © Edward Burtynsky, courtesy of Flowers Gallery, London/ Nicholas Metivier Gallery, TORONTO><Carrara Marble Quarries, Cava di Canalgrande #2, Carrara, Italy, 2016. Mural, © Edward Burtynsky, courtesy of the artist and Nicholas Metivier Gallery, TORONTO>The Art Gallery of Ontario-produced catalogue, Anthropocene, is available at shopAGO for $29.95; along with the 224-page Anthropocene art book published by Steidl.